But this is ultimately a story about a found family. And, also, be warned that Will’s first shirtless moment will leave you as agog as it does Noah. You may want to brace yourselves when watching how Ricamora turns a dance-off contest into one of the most delectable moments of physical comedy in the entire film. So yes, the budding romance between Noah and Will delivers some of the funniest and sexiest moments in the film. Austen fans may know how the plot unfolds but it’s a testament to Kim Booster, Ahn, and this very talented ensemble that they make the ride feel not only novel but fresh, an instant classic that wistfully looks back even as it projects us into a daring new future. Just as he sets out to help Howie land a hook up with puppy-eyed Charlie ( James Scully), he ends up butting heads (and maybe more?) with Charlie’s seemingly uptight best friend, Will ( Conrad Ricamora).
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At its heart, though, is the spirit of “Pride and Prejudice.” Namely, the conviction that sometimes we’d do better to not judge others lest we be judged in turn (or worst, let ourselves be seduced by those we’d so scoffed at). The week that follows, a comedy of errors involving recreational drugs and Marisa Tomei impressions as well as rain-soaked brawls and sweaty dark room shenanigans is as wild an Austen adaptation as you’re bound to find. But also, clearly an actionable item he can work on so as to keep the looming fears of what that next summer may bring at bay. With a sense of urgency of wanting to make the best out of this possible last Fire Island hurrah, Noah sets out to help Howie get laid, his way of showing he cares for his insecure friend. Their host is Margaret Cho’s Erin, whose house has become their safe haven for years-and which may no longer be there in the coming summer. Joining him are his best friend Howie (“ SNL” sensation Bowen Yang), bookish Max ( Torian Miller) and dynamic duo Luke and Keegan ( Matt Rogers and Tomas Matos). It’s why he loves going to Fire Island, which has, for decades, been a distinctly gay destination. He doesn’t buy into the heternormative monogamy industrial complex (yes, his friends’ eye rolls let us know they’ve heard all those impromptu Ted Talks before). And so, as swiftly as he packs his bag (he knows he’ll need little else but speedos and tank tops) he dispenses with the “boyfriend material” guy who’s lazily waking up in his bed. He’s late to meet his friends for their annual Fire Island week-long getaway. When we first meet Noah (Kim Booster) he’s waking up in his apartment in Bushwick. READ MORE: Summer 2022 Movie Preview: 50 Must-See Films To Watch
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It is a romantic comedy that is as witty as it is sweet, equally at home sending up the best of the genre and cleverly twisting it into a more expansive space where the concepts of love and friendship between gay men are pushed to their most radical limits. And yet, while Andrew Ahn’s “ Fire Island” is very much a loving and welcome modern riff on “ Pride & Prejudice,” it is also a beautifully rendered meditation on queer male intimacy in the 21st century.
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Oh, and you set it at a gay enclave on the East coast. How do you write a queer romantic comedy? That is, not one where you merely gender flip a lead (“rom-com, but make it gay!”) but actually create a story that interrogates the very foundational tropes of the genre? If you’re Joel Kim Booster, you do so by adapting one of the most beloved Jane Austen novels of all time, the one whose recent big-screen adaptations have earned the likes of Keira Knightley and Renée Zellweger Oscar nominations.